Chalice Press Book Covers

Five books, four authors, and direct access to every one of them.

The cover for Better: Waking Up to Who We Could Be by Melvin Bray, built from torn newspaper
Better, Melvin Bray.

Chalice Press · Freelance, designer and creative director

Book cover design · Author consultation · Typography · Illustration and collage · Print-ready file preparation


THE CHALLENGE

Chalice Press publishes books on faith and social justice. Five books, four authors, and each cover had to carry what that author meant by their own book.

WHAT I DID

Worked with the authors directly. 
Chalice gave me full access to each author, so the brief came from the person who wrote the book. I consulted with them on the image and the emotion they wanted the cover to carry, and we went through several iterations before landing on the final.

Cover for Ferguson and Faith: Sparking Leadership and Awakening Community by Leah Gunning Francis, showing raised hands and the Gateway Arch
Ferguson & Faith, Dr Leah Gunning Francis. The first of two.
Cover for Faith Following Ferguson: Five Years of Resilience and Wisdom by Leah Gunning Francis, showing raised fists and the Gateway Arch
Faith Following Ferguson. The follow-up.
Cover for Liberating Sexuality: Justice Between the Sheets by Miguel A. De La Torre, with gender symbols on black
Liberating Sexuality, Miguel A. De La Torre.
Cover for Made to Lead: Empowering Women for Ministry by Nicole Massie Martin
Made to Lead, Nicole Massie Martin.

Designed a sequel to relate to a book I had already designed. 
Ferguson & Faith came first. Faith Following Ferguson is the follow-up by the same author, five years on, and it had to read as connected without repeating the first one. The Arch and raised hands carry over; everything else is rebuilt.

Handed over print-ready files. 
Chalice printed from there. The cover artwork is credited to me on the publisher’s site and on retail listings.

The author knows the book better than I do, so most of the work was listening. The rest was making the case when the picture in their head would not work on a shelf, and changing my mind when they were right.


And the work that is mine rather than a client’s: graphite portraits.

View Wildlife Portraits